the t.bone EM 800 Stereo Set Review: Recording test in practice

Customer Review Summary

The t.bone EM 800 Stereo Set

These small diaphragm condensers excel in capturing ambient sounds, making them ideal for overheads and stereo pairs. Their clarity and balanced sound have proven effective in live settings, including choirs and acoustic instruments, where they provide a rich audio experience without excessive EQ adjustments.

While they tend to struggle with low-frequency response, this characteristic is less of an issue for overhead applications. The directionality is decent, although it may not be optimal for solo vocals due to some timbre loss when the sound source moves. A preferred XY configuration is recommended in stereo setups to maximise their effectiveness.

The build quality is generally good, with a sturdy feel and a reliable shock mount, although some users have noted that the plastic thread adapters can be fragile. Nevertheless, the included hard case for transport is a thoughtful addition.

In terms of competition, the EM 800s offer remarkable value compared to other budget options, such as Superlux and Behringer, often outperforming them in sound quality and feedback rejection. While there are certainly higher-end microphones that provide superior performance, for those on a budget, the EM 800s represent a fantastic entry point into studio-quality sound.

In summary, if you’re looking for a versatile, affordable stereo microphone set that performs well across various applications, the t.bone EM 800 Stereo Set is highly recommended.