Neumann TLM 107 bk Studio Set
Technical characteristics of Neumann TLM 107 bk Studio Set
- Switchable large-diaphragm microphone with 5 directional characteristics: Bullet, wide cardioid, cardioid, hypercardioid, eight
- Bass reduction 40 Hz or 100 Hz switchable
- Level reduction -6 dB or -12 dB switchable
- Navigation switch with LED indicator for directional characteristics, low-cut and pre-attenuation
- Boundary sound pressure level 141 dB (153 dB at -12 dB pad)
- Spare noise level A-weighted: 10 dB-A
- Weight: 445 g
- Diameter: 64 mm
- Length: 145 mm
- Colour: Black
- Scope of delivery: TLM 107, EA 4 elastic suspension, packing box
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Additional Information
Customer Review Summary
Neumann TLM 107 bk Studio Set is a truly remarkable microphone that excels in capturing vocal recordings with impressive spectral neutrality. It delivers the pure sound of the voice without coloration, making it an ideal choice for various recording scenarios.
The build quality is exceptional, as one would expect from Neumann, and the design is both classy and sleek. However, the control system for the five polar patterns, pad, and low-frequency roll-off can be a bit fiddly and may require some time to get used to. It’s worth noting that these settings remain operational for only a short while after the microphone is plugged in, so adjustments should be made promptly.
While the price point is on the higher side, the mic’s performance justifies the investment. The tonal balance it provides is well-rounded, with pronounced bass and finely-tuned highs, avoiding excessive brightness in the upper mids. Its versatility is enhanced by the multiple directional options available, making it suitable for a range of applications.
For those looking to pair it with other mics, it complements well with a brighter static mic or a supercardioid dynamic mic for added texture in the high mids. Overall, the Neumann TLM 107 bk Studio Set is an excellent choice for anyone serious about audio quality, offering a superb sound that is both balanced and precise.
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