Austrian Audio OC818 Dual Set Plus
Special features of Austrian Audio model
- Switchable directional characteristics: omnidirectional, cardioid, supercardioid, figure eight, 255 intermediate levels via app
- Freely configurable directional characteristics via PolarDesigner plug-in for Win & Mac
- Real-time access to directional characteristics via optional OCR8
- Bluetooth dongle (Art.467336 – not included) and PolarPilot app for Android & iOS
- Handmade CKR12 ceramic capsule based on the CK12 capsule
- Frequency range: 20 – 20,000 Hz
- Sensitivity: 13 mV / Pa
- Output impedance: 2x 275 Ohm (balanced)
- Input impedance: 1 kOhm
- Max. sound pressure level: 148 dB / 158 dB (with pad)
- Inherent-noise: 9 dB SPL (A)
- Signal-to-noise ratio:> 84 dB
- Low cut filter: 40, 80 & 160 Hz
- Pad: -10 dB & -20 dB
- Dimensions (OC818 microphone): 157 x 63 x 35 mm
- Weight (OC818 microphone): 360g
- Includes 2 elastic brackets, 2 mini XLR adapters, 2 microphone clips, 2 windscreens, transport case and adjustable stereo rail
- HAndmade in Vienna
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Additional Information
Customer Review Summary
The Austrian Audio OC818 Dual Set Plus is an exceptional pair of microphones that have quickly become my go-to choice for a wide range of applications. Initially purchased for overhead and piano recording, they have proven to be versatile enough for nearly any source, often surpassing even the renowned U87 in my setup.
The sound is incredibly natural and balanced, making them suitable for vocals, acoustic instruments, and even spoken word. When compared to other high-end microphones like the Schoeps MK2 and AKG C414 XLS, the OC818 holds its own, delivering a detailed and enveloping sound that is hard to beat, especially considering their price point.
In blind tests, the OC818 consistently impressed me, often coming out as my preferred choice over other established brands. The microphones excel in clarity and resolution, providing stunning results right out of the box. The ability to adjust polar patterns and proximity effects post-recording adds an invaluable level of flexibility, setting them apart from competitors.
However, if I were to pinpoint a minor drawback, it would be their dynamic response. In louder passages, especially during piano or guitar recordings, there can be a slight compression effect that may lead to a muddier mid-range. Despite this, these nuances are largely subjective and depend on personal taste and specific applications.
Overall, the OC818s are a remarkable investment, offering unmatched versatility and quality. Whether for singer-songwriters, acoustic performances, or even more complex setups, these microphones deliver outstanding results across the board. They truly are a remarkable addition to any recording arsenal.
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