the t.bone CC 915 Review: Why you should have it in your studio

Alistair Vance
Written by Alistair Vance

April 15, 2026

the t.bone CC 915

the t.bone CC 915 Review: Why you should have it in your studio

Studio microphone functions of the t.bone

  • For wind instruments, drums, etc.
  • Rubberised spring clip makes it easy to attach to almost any instrument
  • Phantom power: 48 V
  • Frequency range: 50 – 18,000 Hz
  • Polar pattern: Cardioid
  • Impedance: 250 Ohm +/- 30%
  • Max. SPL: 130 dB
  • Signal to noise ratio: > 70 dB
  • Sensitivity: – 45 dB +/- 3 dB
  • 3-Pin mini-XLR plug, compatible with most the t.bone and AKG wireless systems
  • Gooseneck length: 10 cm
  • Clamp dimensions (L x W x H): 65 x 36 x 25 mm
  • Total length: 20 cm
  • Weight (microphone and cable): 70 g
  • Weight of adapter: 65 g
  • Cable length: 3 m
  • Colour: Black-red
  • Includes adapter from mini-XLR to XLR phantom and windscreen

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the t.bone CC 915 Review: Why you should have it in your studio

the t.bone CC 915 Review: Why you should have it in your studio

the t.bone CC 915 Review: Why you should have it in your studio

the t.bone CC 915 Review: Why you should have it in your studio

the t.bone CC 915 Review: Why you should have it in your studio

the t.bone CC 915 Review: Why you should have it in your studio

the t.bone CC 915 Review: Why you should have it in your studio

the t.bone CC 915 Review: Why you should have it in your studio

the t.bone CC 915 Review: Why you should have it in your studio

Additional Information

Customer Review Summary

The t.bone CC 915

Users have noted that the microphone captures sound accurately across different frequencies, delivering a clear and linear response with minimal background noise. It performs particularly well for instruments like saxophones and trumpets, although some have mentioned that it can pick up unwanted noise from valves if not positioned carefully.

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While the microphone excels in sound fidelity, it has been reported that it may struggle with very high sound pressure levels, especially when used close to percussion instruments. However, with the right EQ adjustments, it can still provide satisfactory results in most settings, making it a solid choice for both recording and live performances.

The build quality is generally considered good, though caution is advised with the gooseneck’s flexibility; excessive bending at the attachment point can lead to breakage. The clip is reliable and does not damage the instruments, ensuring it is easy to attach and reposition as needed.

Overall, the t.bone CC 915 stands out as a practical and affordable option for musicians seeking a dependable microphone that meets their needs without breaking the bank.



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Alistair Vance

Based in Bristol, Al has spent over a decade mixing local bands before specialising in hybrid studio consulting. He’s obsessed with the price-to-performance ratio, helping musicians achieve a "Radio Ready" sound without the need for a £50,000 Neve console. No fluff, just honest gear reviews to get your tracks sounding professional on a real-world budget.

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