the t.bone SC 140 Stereo Set
Specifics of model the t.bone SC 140 Stereo Set
- Matched set with two microphones
- With 18 mm capsule
- Polar pattern: Cardioid
- Ideal for miking drums (overhead, hi-hat), acoustic guitar or piano
- Frequency range: 20 Hz – 20,000 Hz
- With low-cut: -3 dB @ 75 Hz or 150 Hz
- Pad switch: -10 dB / -20 dB
- Sensitivity @1 kHz (dBV/Pa): –37.1
- Max. sound pressure level: 135 dB SPL (1% THD > 1 kHz)
- Equivalent noise level: 15.0 dB (A)
- Dimensions (Ø×L): 20 x 147 mm
- Weight (per microphone without shock mount): 91 g
- Includes two shock mounts, two windscreens, stereo bar and aluminium case
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Additional Information
Customer Review Summary
The t.bone SC 140 Stereo Set is a remarkably versatile small-diaphragm microphone that has impressed me with its quality, especially given its affordable price point. As someone who records a variety of instruments and vocals, I found these mics to perform exceptionally well in different scenarios.
Firstly, the construction of the microphones is solid, with affirmative switches that inspire confidence. They come in a well-designed case that includes a range of accessories such as shock mounts and windshields, which add to their value. However, the mounting parts, while functional, could be of higher quality and may require careful handling.
In terms of sound quality, the SC 140s deliver a clean and clear output, making them suitable for recording a wide range of acoustic instruments. They excel in capturing the nuances of acoustic guitars and vocals, providing a balanced sound without excessive harshness. The high-frequency response is commendable, particularly for orchestral or choral setups, where they can effectively capture ambient sounds from a distance.
One aspect that stands out is their rear and side rejection, which is beneficial in untreated environments, helping to minimise unwanted background noise. The microphones have a good sensitivity and low self-noise, making them appropriate for various recording situations, including live performances.
While they may not match the fidelity of higher-end models, they offer an impressive performance for amateur and semi-professional applications. The inclusion of features like a high-pass filter and pad options enhances their versatility, allowing for use in louder settings without distortion.
Overall, I would highly recommend the t.bone SC 140 Stereo Set for anyone looking to explore recording on a budget while still achieving quality results. They are particularly well-suited for recording acoustic instruments, choirs, and ambient sounds, making them a fantastic entry point for budding sound engineers and musicians alike.
The t.bone SC 140 Stereo Set is a versatile small-diaphragm microphone that delivers impressive sound quality, particularly for acoustic instruments. The clarity and low noise levels make it an excellent choice for field recordings, and many users find it to be a fantastic value for the price.
However, there are some concerns regarding the build quality. The plastic mounts that come with the microphones have been reported to be fragile, with a tendency to break easily. While some users have managed to repair them creatively, this can detract from the overall experience.
Despite these minor issues, the microphones have been praised for their performance, making them a worthwhile investment for anyone looking to enhance their audio recordings. Just be mindful of the potential durability concerns with the accessories.
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