Warm Audio WA-HRT HeadRoom Tan: test et avis

Warm Audio WA-HRT HeadRoom Tan: studio headphone test and impressions

Alistair Vance
Written by Alistair Vance

July 25, 2026

Field Test · Studio Gear Review

Warm Audio WA-HRT HeadRoom Tan

Technical assessment of Warm Audio’s latest closed-back monitoring headphones

Warm Audio Warm Audio
4.3/5 4 reviews · 3 ratings
£122

Warm Audio WA-HRT HeadRoom Tan
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Spec Sheet

  • Closed-back design
  • Circumaural
  • Frequency range: 10 – 30.000 Hz
  • Driver magnet: Neodymium
  • Driver diameter: 45 mm
  • Impedance: 45 Ohm
  • Sensitivity: 100 dB
  • Adjustable headband and ergonomic ear cups
  • Interchangeable ear pads
  • Removable cable
  • Connection: 3.5 mm stereo mini jack
  • Dimensions: 203 x 152 x 83 mm
  • Weight: 0.25 kg
  • Colour: Tan
  • Includes removable straight cable and coiled cable (3 m each), 2 x spare ear pads, 6.3 mm adapter and high-quality carrying case

Studio Log

Available sinceNovember 2024
Item number605153
Sales Unit1 piece(s)
DesignOver-Ear
SystemClosed Back
Impedance45 Ohms
Frequency range10 Hz – 30000 Hz
AdaptorYes
Replaceable CableYes
ColourBlack/Brown
Max. SPL100 dB
Type Of ConnectorJack, mini-jack
Weight250 g

Demo Footage

Field Photography

QC Pass — Field Test

Customer Review Summary

[META]In-depth test of Warm Audio WA-HRT HeadRoom Tan headphones, examining sound quality, build, comfort, and usability for studio work and general listening.

Introduction to Warm Audio WA-HRT HeadRoom Tan

The Warm Audio WA-HRT HeadRoom Tan headphones arrived on the market in November 2024, positioning themselves as a professional closed-back monitoring option. Priced at £122, they cater to audio professionals and enthusiasts seeking solid build quality and a wide frequency response. This independent review evaluates the technical characteristics and real-world performance after a month’s hands-on use.

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Design and Build Quality

The WA-HRT adopts an over-ear, circumaural design with a closed-back system to provide isolation during recording or mixing sessions. Weighing only 250 grams, these headphones are relatively lightweight, enhancing comfort over extended use.

  • Materials and colour: Featuring a distinctive tan and black finish, the earpads are replaceable and come supplied with two extra sets, extending their usable lifespan considerably. The headband is adjustable for a customised fit, though its top padding is fixed and non-removable.
  • Cables and connectors: The headphones include both a straight and a three-metre coiled removable cable, each terminating in a 3.5 mm stereo mini-jack. A 6.3 mm adapter is also supplied, ensuring compatibility with a variety of audio equipment.
  • Ergonomics: The ear cups have an oval shape, measuring 54 mm in height and 38 mm in width internally, smaller than the 58 mm round earpads found on models like the DT880. Users noted the clamping force slightly above average, which may affect comfort during prolonged use.

Technical Specifications

  • Frequency range: An expansive 10 Hz to 30,000 Hz, covering sub-bass to ultra-high frequencies.
  • Impedance: 45 Ohms, suitable for use with both portable devices and studio gear.
  • Sensitivity: 100 dB, providing adequate loudness without excessive amplification.
  • Driver details: 45 mm neodymium magnets power the drivers, promising strong bass response and precise dynamics.
  • Max SPL: Capped at 100 dB to prevent hearing damage under typical use cases.

Sound Quality Evaluation

After extensive use, the WA-HRT demonstrates a sound profile that emphasises the bass region heavily, which might please some listeners but challenges critical listening demands. The mid frequencies tend toward a slight boost, giving vocals and instruments prominence, though this can sometimes mask subtle details.

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The treble range is less defined. High-frequency detail suffers, with percussive nuances such as the delicate ringing of a triangle becoming virtually inaudible. This lack of clarity in the highs reduces the headphones’ suitability for tasks requiring sharp auditory resolution.

Stereo imaging is well handled, creating an immersive soundstage that performs reliably in mixed content. The closed-back structure adds a feeling of density to the sound but at the cost of some stage openness.

Comfort and Practicality

The adjustable headband and ergonomic ear cups generally provide a snug fit. However, the slightly increased clamping force affects comfort during long sessions. The supplied spare ear pads and cables add valuable versatility, although the fixed headband padding might limit user customisation over time.

The lightweight design helps mitigate listening fatigue and the inclusion of the carrying case enhances portability, making the WA-HRT a practical choice for mobile users.

Conclusion

Warm Audio’s WA-HRT HeadRoom Tan headphones offer a robust construction and useful features such as interchangeable pads and dual cabling options. Their bass-heavy tuning and muted highs suggest an audience skewed towards entertainment, such as DJing or casual listening, rather than precise studio work.

At £122, these headphones represent reasonable value with a few drawbacks, notably in high-frequency clarity and long-term comfort for professional monitoring. They may appeal to users favouring extra punch in low frequencies and a sturdy design but should be evaluated cautiously for detailed mixing or mastering.

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Alistair Vance

Based in Bristol, Al has spent over a decade mixing local bands before specialising in hybrid studio consulting. He’s obsessed with the price-to-performance ratio, helping musicians achieve a "Radio Ready" sound without the need for a £50,000 Neve console. No fluff, just honest gear reviews to get your tracks sounding professional on a real-world budget.

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