Beyerdynamic TYGR 300 R: test et avis

Beyerdynamic TYGR 300 R Review: studio headphones put to the test

Alistair Vance
Written by Alistair Vance

July 21, 2026

Field Test · Studio Gear Review

beyerdynamic TYGR 300 R

Technical review of beyerdynamic TYGR 300 R open-back gaming headphones

beyerdynamic beyerdynamic
4.5/5 20 reviews · 14 ratings
£140

beyerdynamic TYGR 300 R
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Spec Sheet

  • Wired
  • Circumaural
  • Open-back
  • Dynamic
  • Frequency range: 5 – 35000 Hz
  • Impedance: 32 Ohm
  • Max. sound pressure level: 96 dB/mW
  • Black velour ear pads
  • Cable routing on one side
  • Straight cable
  • Cable length: 1.6 m
  • Connection: 3.5 mm jack
  • Weight: 374 g (incl. cable), 290 g (without cable)
  • Includes 3.5 mm to 6.3 mm jack adapter

Studio Log

Available sinceApril 2022
Item number542084
Sales Unit1 piece(s)
DesignOver-Ear
SystemOpen
Impedance32 Ohms
Frequency range5 Hz – 35000 Hz
AdapterYes
Replacable CableNo
Marrone/ArgentoBlack
Sensitivity96 dB
Type Of ConnectorMini Jack
Weight290 g

Demo Footage

Field Photography

QC Pass — Field Test

Customer Review Summary

Overview of the beyerdynamic TYGR 300 R

The beyerdynamic TYGR 300 R is an over-ear, open-back headphone released in April 2022, retailing at approximately £140. Designed primarily with gaming in mind, it also appeals to music listeners seeking an expansive soundstage and balanced audio reproduction. Equipped with 32 Ohm impedance dynamic drivers, the headphones cover an extensive frequency range from 5 Hz to 35 kHz and include a 3.5 mm jack connection with an adapter to 6.3 mm.

Build and Design

The TYGR 300 R features a robust and practical design in black with velour ear pads and a padded headband that contributes to overall comfort. Weighing 290 g without the cable and 374 g including it, the headphones maintain a moderate weight that strikes a balance between sturdiness and comfort. The cable is a 1.6 m straight rubberised wire that is attached on one side of the earcup, non-detachable but well made to minimise friction noise.

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Although the cable length may not be sufficient for all desktop setups, especially when connecting to rear motherboard ports, it remains adequate for most laptop or mobile uses. The overall build quality is solid, with many users noting that parts are compatible with beyerdynamic’s DT series replacements.

Comfort and Fit

The circumaural design with large velour pads offers soft cushioning and a light clamping force that prevents discomfort during extended wear. Most users report wearing the headphones for hours without fatigue, as the pressure is evenly distributed thanks to the padded headband. However, some find the ear pads slightly shallow, causing the ears to touch the driver membranes, which can be uncomfortable over longer sessions and may be a concern for those with larger ears.

Replacing the stock pads with third-party options could mitigate this issue. Those prioritising comfort should consider this aspect before purchase. Despite its open-back design, the headphone sits securely and does not feel heavy or restrictive.

Sound Quality and Performance

Sound from the TYGR 300 R leans towards a V-shaped signature, enhancing bass and treble responses while offering slightly recessed mids. This tonal balance tends to suit gaming and dynamic music genres well. Bass is described as punchy and present without muddiness that commonly plagues open-back models. Treble is clear yet relaxed, avoiding harshness even at higher volumes. The low 32 Ohm impedance allows the headphones to reach sufficient loudness levels from a variety of sources without requiring a dedicated amplifier, albeit some users report benefits from amplification in quieter passages or complex material.

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The open-back architecture significantly expands the soundstage, producing a spatial presentation where sounds seem to come from beyond the headphone drivers rather than inside the head. This effect enhances immersion in games and movies, helping localise sounds with accuracy on both horizontal and vertical planes. Imaging precision is notable, lending competitive advantages in gaming scenarios.

Sound leakage is moderate, comparable to the volume of low-level desktop speakers, which should be considered if used in noise-sensitive environments. The detail retrieval is impressive at this price point, with consistent clarity across the frequency range, making the TYGR 300 R versatile beyond gaming applications.

Limitations and Considerations

  • Ear Pad Dimensions: The shallow ear pads may cause discomfort or sound interference for users with larger ears.
  • Cable Length and Non-detachable Design: The 1.6 m cable could restrict flexibility for desktop use, and the fixed cable might be less convenient for portability or replacement.
  • Packaging and Accessories: Aside from the necessary adapters, the box contents are minimal, which might disappoint those expecting extras.
  • No Volume Control: The headphones lack onboard volume adjustment, relying on source devices for audio level management.
  • Durability of Materials: Some long-term users report minor peeling on the headband covering after extended use, although this does not affect functionality.

Final verdict

The beyerdynamic TYGR 300 R provides excellent sound quality with an expansive, immersive soundstage ideal for gaming and multimedia consumption. It offers a lightweight and well-constructed design emphasising comfort for the majority of users, although the ear pad depth may not suit everyone. Its open-back nature yields detailed and balanced audio but introduces some sound leakage and environmental awareness that may not be appropriate in noisy settings.

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At £140, it represents strong value, particularly for gamers or casual audiophiles seeking a natural, V-shaped sound signature paired with comfortable wear and good build quality. Those requiring longer cables, detachable cables or deeper ear pads might need to consider alternatives or aftermarket modifications. With careful handling, the TYGR 300 R stands as a reliable gaming headphone that doubles effectively as a versatile listening device for music and film.

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Alistair Vance

Based in Bristol, Al has spent over a decade mixing local bands before specialising in hybrid studio consulting. He’s obsessed with the price-to-performance ratio, helping musicians achieve a "Radio Ready" sound without the need for a £50,000 Neve console. No fluff, just honest gear reviews to get your tracks sounding professional on a real-world budget.

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