Lauten Audio LS-308 Review: Design pros and cons

Customer Review Summary

The Lauten Audio LS-308 is a remarkable microphone that truly excels in challenging recording environments. It has proven to be invaluable in situations with significant bleed, such as when recording harp alongside percussion instruments and a grand piano. The microphone effectively isolates the sound source, allowing for clear recordings even in the midst of competing sounds.

While it claims to be a second-order cardioid with a smooth frequency response, some users have noted that this performance can only be achieved under specific conditions, such as applying delays and strong filtering. The microphone’s capsule distance does introduce some comb filtering, which can affect its frequency response, particularly at a distance.

However, in near-field applications, the LS-308 demonstrates impressive capabilities. Despite the proximity effect accentuating bass frequencies, it remains usable without the low-pass filter at close distances. The built-in 8kHz low-pass filter significantly reduces noise, allowing for a cleaner sound even when the gain is pushed high.

For those experimenting with different microphone types, the LS-308 stands out as one of the few that retains clarity even at a distance of 25cm, making it a great choice for those who want to avoid excessive proximity effects. It is particularly well-suited for acoustic spaces that are not heavily treated, providing a good balance of sound without overwhelming reverb or noise.

While it may require some equalisation for optimal results, the LS-308 is undoubtedly a “keeper” for anyone needing a reliable microphone under difficult conditions. Its isolation capabilities are commendable, though it may not be for everyone. Overall, it represents a solid investment for serious recording applications.