Behringer HPM1100-BK : test et avis

Behringer HPM1100-BK headphones review: how they perform in practice

Alistair Vance
Written by Alistair Vance

August 30, 2026

Field Test · Studio Gear Review

Behringer HPM1100-BK

Technical assessment of Behringer’s affordable closed-back headphones

Behringer Behringer
4.3/5 39 reviews · 23 ratings
£760

Behringer HPM1100-BK
  • Monitor Headphones
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Spec Sheet

  • Wired
  • Closed-back design
  • Circumaural
  • Dynamic
  • Frequency range: 20 – 20,000 Hz
  • Impedance: 32 ohm
  • Max. sound pressure level: 96 dB
  • Driver size: 40 mm
  • Cable length: 2 m
  • Connector: 3.5 mm TRS jack
  • Colour: Black
  • Includes Adapter 3.5 mm to 6.3 mm

Studio Log

Available sinceDecember 2022
Item number538854
Sales Unit1 piece(s)
DesignOver-Ear
SystemClosed Back
Impedance32 Ohms
Frequency range20 Hz – 20000 Hz
AdaptorYes
ColourBlack
Max. SPL96 dB
Type Of ConnectorJack, mini-jack

Demo Footage

Field Photography

QC Pass — Field Test

Customer Review Summary

[META]An in-depth review of the Behringer HPM1100-BK, evaluating its performance, design and value as budget studio headphones.

Introduction

The Behringer HPM1100-BK are circumaural, closed-back headphones designed primarily for studio monitoring purposes. Launched in December 2022 and retailing at approximately £7.60, these headphones feature a simple build with a 40mm dynamic driver and a 32-ohm impedance. Their specifications place them in the entry-level category, targeting users seeking affordable monitoring headphones suitable for short recording sessions or basic listening tasks.

Design and Build

The headphones adopt a wired design with a 2-metre cable terminating in a 3.5 mm TRS jack, along with a 6.3 mm adapter included. This flexibility allows connection to various audio interfaces and mixing consoles. Their closed-back configuration limits sound leakage, making them useful in recording environments to prevent microphone bleed.

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Behringer equips the HPM1100-BK with circumaural ear cups aimed at surrounding the ears, which contributes to passive noise isolation. The matte black colour gives a modest professional look. However, user feedback characterises the materials as basic and somewhat rigid. The ear pads, in particular, may become uncomfortable after prolonged use due to their firm cushioning.

Comfort

  • The headphone clamping force is sufficient to maintain position, but the ear cushions feel hard over time.
  • The overall lightweight construction reduces fatigue, but the lack of plush padding limits comfort for extended wear.

Audio Performance

These headphones cover the full audible frequency spectrum from 20 Hz to 20,000 Hz, driven by 40 mm dynamic drivers. The maximum sound pressure level is specified as 96 dB SPL, which is adequate for typical monitoring scenarios without risking hearing damage at normal volumes.

Audio responses, as reported by multiple users, suggest a decent balance for their price bracket. Bass reproduction tends to be emphasised, which can sometimes overshadow the high-frequency detail, leading to a somewhat muffled sound profile. Compared with higher-end rivals, the sound lacks clarity and definition, especially in complex mixes.

Despite these limitations, the headphones perform reliably for monitoring instrument and vocal takes, providing sufficient isolation to avoid spill into microphones. The closed-back design contributes positively here, justifying their use in studios as “loaner” or temporary units when cost constraints exist.

Sound Quality Summary

  • Strong bass presence can mask treble frequencies.
  • Mids are passable but not highly detailed.
  • Maximum volume level adequate but not loud.
  • Overall sound somewhat “dull” compared to more expensive models.
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Practical Use Cases

The HPM1100-BK excels in scenarios where budget and durability override the need for pristine sound fidelity. This includes use as studio monitoring for musicians tracking parts, classroom environments for music education, or quick reference headphones for podcasters and multimedia users.

Users note the headphones’ robustness for their price, allowing them to be lent out or handled less carefully without immediate concern for damage. The inclusion of an adaptor jack expands their applicability across various devices in professional setups.

However, the earcups’ firmness limits their comfort for marathon mixing sessions or casual listening. Also, for critical audio work, the sound quality may be insufficient, prompting users to seek alternatives if affordable upgrades like the Superlux HD-681 are within reach.

Value Assessment

Considering the retail price near £7.60, the Behringer HPM1100-BK provides a functional combination of necessary features: closed-back design, acceptable sound isolation, and a reliable wired connection. The trade-off lies in the compromised comfort and acoustic refinement.

For those demanding a clean and accurate monitoring experience, these headphones may fall short due to their colouration and limited detail. For casual or semi-professional field use, they represent a practical and cost-effective choice, with users repeatedly citing them as good value given their build and sound performance.

Conclusion

The Behringer HPM1100-BK are budget-friendly over-ear headphones tailored for basic studio monitoring and educational applications. They deliver a closed-back design with enough isolation to support recording sessions, backed by a straightforward, durable build.

While their sound profile emphasises bass and lacks the higher-frequency clarity preferred by audiophiles or professional engineers, they fulfill a niche for low-cost, dependable monitoring. Comfort is adequate for short periods, though the hard ear cushions diminish extended wearability.

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Ultimately, these headphones suit users with modest expectations who prioritise price and practicality over high-fidelity sound, making them a worthwhile entry-level option in the Behringer lineup.

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Alistair Vance

Based in Bristol, Al has spent over a decade mixing local bands before specialising in hybrid studio consulting. He’s obsessed with the price-to-performance ratio, helping musicians achieve a "Radio Ready" sound without the need for a £50,000 Neve console. No fluff, just honest gear reviews to get your tracks sounding professional on a real-world budget.

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