Universal Audio Sphere DLX Modeling Microphone
Special features of Universal Audio model
- Large-diaphragm condenser microphone for emulating the sound characteristics of 38 classic ribbon, condenser and dynamic microphones in stereo
- 2.54 cm double-diaphragm design (gold-plated)
- Stereo recording possible with a single microphone
- Microphone type, polar pattern and other characteristics can be changed even after the recording has been made
- Listening to the sound of different microphones possible
- Reduce crosstalk, unwanted room colouration and other common recording problems using IsoSphere and presets
- Attenuation options: -10db and -20dB
- Requires 48 V phantom power
- Polar pattern: Variable Dual Output
- Frequency range: 20 – 20,000 Hz
- Output impedance: 200 Ohm
- Max. sound pressure level: 140dB SPL
- 1% THD (with pad)
- Dynamic range: 133 dB
- Connection: XLR-m (5-pin)
- Dimensions (L x Ø): 225 x 63 mm
- Weight: 770 g
- Supported plug-in formats UAD, AAX Native, VST2, VST3, Audio Units (Mac only)
- Supported operating systems Native (AAX, VST and AU): Mac OSX 10.15 and higher, Windows 10 and 11 (64-bit)
- Supported operating systems Apollo interfaces and UAD-2 hardware (AAX, VST, AU and RTAS): Mac OSX 10.15 and higher, Windows 10 and 11.
- System requirements: Internet connection, compatible plug-in host application (DAW software) with support for AAX, VST2, VST3, AU or UAD, UA Connect for managing UADx plug-ins, two mic preamps with phantom power.
- Incl. elastic mount, 7.5 m split cable (5-pin XLR to 3-pin XLR), stand adapter and a bag
Images
Additional Information
Customer Review Summary
The Universal Audio Sphere DLX Modeling Microphone stands out with its exceptional build quality, making it a reliable choice for both home studios and professional settings. Out of the box, the microphone delivers a neutral and clean sound, which some might describe as understated, but this purity allows for excellent flexibility when combined with its modelling software.
Once connected and the software installed, the Sphere DLX offers an impressive array of 38 microphone emulations, resulting in over 1406 possible combinations. Users have praised its warmth and clarity, especially beneficial for vocals and instruments. The mic’s calibration feature enhances its usability in untreated rooms, making it a versatile option for various recording environments.
Many users have highlighted the accuracy of the emulations, with some comparing them favourably to iconic microphones like the Neumann U67 and U47. The ability to switch between different mic models post-recording adds a level of convenience and creativity that is highly appreciated by both amateur and professional engineers.
While the microphone itself is solid and weighty, indicating high quality, some reviews noted that the emulations may not always replicate the originals perfectly, often appearing as subtle variations rather than stark differences. This could lead to a slightly aggressive sound in the mid to high frequencies, which may require careful equalisation depending on the source and environment.
Overall, the Sphere DLX is deemed an excellent investment for those looking to elevate their recording quality. Its combination of high-quality sound, robust construction, and innovative modelling capabilities make it a standout choice for anyone serious about capturing audio with precision and flexibility.
In summary, the Universal Audio Sphere DLX is a highly regarded microphone that delivers impressive sound quality and a multitude of options, making it a valuable tool for any recording artist or engineer.
Read more…
