Solomon SubKick LoFReQ White Review: Detailed construction overview

Alistair Vance
Written by Alistair Vance

March 25, 2026

Solomon SubKick LoFReQ White

Solomon SubKick LoFReQ White Review: Detailed construction overview

Solomon microphone attributes

  • 7″ x 3.5″ Tolex-covered wood fibre shell with built-in dynamic 6.5″ microphone
  • Customised in-line pad
  • Frequency range: 50 – 3000 Hz
  • Impedance: 150 Ohm
  • Polar pattern: Figure Eight
  • Aluminium protective grills
  • Output: Neutrik XLR
  • Attaches to any standard mic stand with a 5/8″ fine thread
  • Enhances the natural low frequencies of the kick drum and provides an extremely powerful kick drum sound
  • Colour: White
  • Made in USA

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Solomon SubKick LoFReQ White Review: Detailed construction overview

Solomon SubKick LoFReQ White Review: Detailed construction overview

Additional Information

Customer Review Summary

The Solomon SubKick LoFReQ White is an exceptional microphone that truly delivers on its promise, particularly for those looking to enhance their bass drum recordings. It captures low frequencies beautifully, providing a richer sound without being overpowering. The build quality is impressive, featuring solid materials that ensure durability, making it a reliable choice for both studio and potentially live performances.

Users have noted that it performs excellently when paired with other microphones, such as the AKG D112, to create a well-rounded mix. The mic’s ability to reduce unwanted resonance allows for a more authentic representation of the bass drum, making it easier to achieve a polished sound in recordings. Additionally, its output levels are compatible with standard pre-amps, ensuring seamless integration into any setup.

Despite its weight, which may require a sturdy mic stand, the SubKick is easy to transport and set up. It has been highlighted as a fantastic alternative to more expensive options on the market, proving that you don’t have to compromise on quality for affordability. Overall, this microphone is highly recommended for anyone seeking a professional and effective solution for capturing those deep bass frequencies in their music.

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Alistair Vance

Based in Bristol, Al has spent over a decade mixing local bands before specialising in hybrid studio consulting. He’s obsessed with the price-to-performance ratio, helping musicians achieve a "Radio Ready" sound without the need for a £50,000 Neve console. No fluff, just honest gear reviews to get your tracks sounding professional on a real-world budget.

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