Shure Beta 91A
Technical profile of Shure
- Combination of Beta 91 and SM 91
- Switchable frequency range for bass drums or piano/ voice applications
- Polar pattern: half cardioid
- Frequency range: 20 – 20,000 Hz
- Impedance: 146 Ω
- 11-52 V Phantom power
- SPL: 155 dB SPL max (@ 2500 Ohm)
- Sensitivity: -48.5 dBV/Pa
- Output: XLR-male
- Weight: 470 g
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Additional Information
Customer Review Summary
The Shure Beta 91A is an absolutely outstanding microphone that has quickly become my go-to choice for capturing kick drums, both in live settings and studio recordings. Its design is incredibly robust, and it’s remarkably easy to position, fitting snugly inside the bass drum without the need for a stand, which reduces stage clutter.
The half cardioid pattern effectively isolates sound, making it ideal for live performances where feedback can be an issue. The built-in EQ switch providing a low-end cut around 400Hz is particularly useful for tackling problematic frequencies, delivering a punchy and clear sound that is consistent across various styles of music.
In terms of audio quality, the Beta 91A excels in producing deep lows and crisp highs. It captures the attack of the kick beautifully, making it an excellent pairing with other mics like the Beta 52 for a fuller sound. Additionally, it performs exceptionally well not just on kick drums but also on cajons and even grand pianos, showcasing its versatility.
One of the most impressive aspects is its durability; it has withstood years of use without any loss in performance. The quality of sound it produces is simply stunning—rich, full, and dynamic—making it a worthy investment for any serious musician or sound engineer. Overall, the Shure Beta 91A is a must-have microphone, and once you try it, you’ll understand why it’s so highly regarded.
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