the t.bone EM 700 Stereo Set Review: Polar patterns and filters explained

Alistair Vance
Written by Alistair Vance

April 26, 2026

the t.bone EM 700 Stereo Set

the t.bone EM 700 Stereo Set Review: Polar patterns and filters explained

Distinctive features of the t.bone microphone

  • Two matched the t.bone EM700 condenser microphones
  • With 16 mm capsule
  • Polar pattern: Supercardioid
  • Frequency range: 20 Hz – 20,000 Hz
  • Low cut switch: -3 dB @ 75 Hz or 150 Hz
  • Pad switch: -10 dB or -20 dB
  • Sensitivity: -42 dB (7.9 mV/Pa)
  • Equivalent noise level: 20.6 dB SPL (A)
  • Maximum sound pressure level: 135 dB @1% THD, 1 kHz
  • Dimensions: 20 x 115 mm
  • Weight (per microphone without shock mount): 87 g
  • Includes shock mount (3/8″) and windscreen and stereo rail (3/8″)

Images

the t.bone EM 700 Stereo Set Review: Polar patterns and filters explained

the t.bone EM 700 Stereo Set Review: Polar patterns and filters explained

the t.bone EM 700 Stereo Set Review: Polar patterns and filters explained

the t.bone EM 700 Stereo Set Review: Polar patterns and filters explained

the t.bone EM 700 Stereo Set Review: Polar patterns and filters explained

the t.bone EM 700 Stereo Set Review: Polar patterns and filters explained

the t.bone EM 700 Stereo Set Review: Polar patterns and filters explained

the t.bone EM 700 Stereo Set Review: Polar patterns and filters explained

the t.bone EM 700 Stereo Set Review: Polar patterns and filters explained

Additional Information

Customer Review Summary

The t.bone EM 700 Stereo Set is a remarkable budget-friendly option that offers impressive sound quality for its price. As an audio engineer with years of experience, I can confidently say that these small diaphragm condenser microphones perform well across various applications. They excel in live settings, particularly as overheads for drums or when capturing acoustic instruments like guitars and violins.

The sound quality is surprisingly good, with a clear and natural tone that competes with much higher-priced microphones. While the low-end response drops below 100Hz, making them less suitable for deep bass sources, their high-frequency detail shines through, especially when recording delicate instruments. The microphones exhibit a good signal-to-noise ratio, making them suitable for both studio and live use.

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Included in the package are shock mounts, windshields, and a stereo bar, which enhance the overall value. The build quality is decent, though the accessories could be sturdier; the shock mounts may feel a bit tight at first. The microphones also feature a high-pass filter and pad switches, which can be beneficial in various recording situations.

While not the absolute best for studio-quality recordings, the EM 700s hold their own and are excellent for those on a budget or for casual recording tasks. They are particularly effective for capturing the essence of live performances or rehearsals where high fidelity isn’t the primary concern. Overall, I would highly recommend the t.bone EM 700 for anyone looking for an affordable, reliable stereo microphone set that delivers impressive results.



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Alistair Vance

Based in Bristol, Al has spent over a decade mixing local bands before specialising in hybrid studio consulting. He’s obsessed with the price-to-performance ratio, helping musicians achieve a "Radio Ready" sound without the need for a £50,000 Neve console. No fluff, just honest gear reviews to get your tracks sounding professional on a real-world budget.

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