Teenage Engineering TX-6
Technical specifications of the Teenage Engineering audio interface
- 6 Stereo inputs
- 3 Stereo outputs (main / cue / aux)
- 24-bit 12-Channel USB audio interface
- 3-Band equalizer and compressor per channel
- Low & high-pass filter
- 2 Stereo multi-effect processors
- Crossfader mode
- Midi via USB-C and Bluetooth LE
- Onboard tuner
- Onboard synthesiser with sequencer
- OLED display with 64 x 48 pixels
- Battery with up to 7 hours capacity
- Audio Inputs: Analogue gain 0 – 42 dB, SNR: ~ 102 dBA
- Audio Out (main, aux): Max level 8 dBu, 2 Vrms, DA-converter: Cirrus Logic Masterhifi CS43131, SNR: > 120 dBA
- Audio Out (cue): Max level 2 dBu, 1 Vrms, DA-converter: Cirrus Logic CS47L35, SNR: > 110 dBA
- Audio connections: 3.5 mm stereo jack
- Dimensions (W x D x H): 62 x 90 x 23 mm
- Weight: 145 g
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Additional Information
Customer Review Summary
Teenage Engineering TX-6 Review
The Teenage Engineering TX-6 is a remarkably compact and portable mixer that combines a 6-channel stereo and 12-channel mono mixer with a USB interface, making it a unique offering in the market. Its size allows it to fit easily into a bag, yet it packs a surprising number of features that appeal to both casual users and more serious musicians.
While the high price tag has drawn some criticism, many users find the cost justifiable given the extensive capabilities on offer. The build quality is commendable, with a sleek design, although the faux leather base has been noted for being prone to blemishes. The mixer operates on battery power, enhancing its portability further.
However, the design has certain flaws. The inputs are positioned too closely together, making it challenging to use standard cables without interference, which limits usability. It is advisable to use Teenage Engineering’s own cables to avoid these issues. Additionally, the small size of the knobs can be cumbersome, especially for those with larger hands, as they make simultaneous control of EQ and pan difficult.
In terms of functionality, the TX-6 performs well, featuring decent effects like reverb and a three-band EQ per channel. However, there are limitations, such as the inability to use reverb and delay simultaneously and the lack of parameter control for effects, which some may find disappointing for a device marketed as professional-grade.
The automatic tempo detection and Bluetooth MIDI capabilities are welcomed features, and the audio quality is generally praised, although some users experienced issues with noise when using high gain settings. Compatibility with different operating systems can be misleading, as not all features are supported on Windows, which is a concern for potential buyers.
Overall, the TX-6 is viewed as a powerful, enjoyable tool for musicians on the go, offering functionality that is hard to find in such a small package. Despite its shortcomings, it is an impressive piece of engineering that serves a niche market well.
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