Tascam Model 12
Details of the Tascam Model 12
- Ten-channel mixer
- With multitrack recorder, audio interface and DAW control functions
- 12-track recording in WAV/BWF format on SD/SDHC/SDXC cards up to 512 GB possible
- 44.1 – 48 kHz
- 16/24-bit
- One-button compressor for all input channels
- Switchable low-cut
- 3-band EQ with adjustable mids for all mono channels
- Master EQ
- Overdub recording
- Punch-in/-out
- Built-in audio interface for 12 channels (ten inputs plus stereo sum)
- LC display
- 12-segment LED level meter
- Built-in effects processor
- Switchable phantom power +48 V
- Includes power supply
- Dimensions (W x H x D): 343 x 99 x 360 mm
- Weight: 4.3 kg
- Suitable protective cover: Art. 497194 (not included)
- Suitable case: Art. 504823 (not included)
- Eight microphone/line input combo XLR/6.3 mm jack (channels 1-6, 7, 9 can be used as instrument inputs)
- Two line outputs: XLR
- Two sub outputs: 6.3 mm jack
- Two AUX outputs: 6.3 mm jack
- Two inserts: 6.3 mm jack (channels 1+2)
- Footswitch input: 6.3 mm jack
- 6.3 mm jack click output with tap tempo function
- Two stereo headphone outputs: 6.3 mm jack
- MIDI input and output
- USB
Images
Additional Information
Customer Review Summary
The Tascam Model 12 is a remarkable mixer and audio interface that combines analogue feel with digital versatility. From the moment I unboxed it, the build quality struck me as solid and reliable, making it an excellent addition to my home studio setup.
With 10 channels available, I’ve found it surprisingly versatile for various applications, whether for rehearsals, recording sessions, or live gigs. The ability to record directly onto an SD card is a standout feature, offering a seamless way to capture ideas without the need for a computer. The analogue controls make it intuitive to use, and I appreciate the tactile experience they provide.
The audio quality is impressive, with decent preamps and built-in effects that, while not overly complex, serve their purpose well. The inclusion of a one-knob compressor on each channel is a fantastic bonus, allowing for quick adjustments during recording. However, I did notice that the overall input levels can be a bit low, which may require careful gain staging.
While the Bluetooth connectivity is a nice touch, I found the headphone output configuration somewhat confusing initially, as it limits the ability to monitor through both speakers and headphones simultaneously. Additionally, the limitations in MIDI functionality and the fact that it functions as a master clock can be a drawback for some users looking for more robust integration with other gear.
Despite these minor issues, the Tascam Model 12 excels in its primary functions. It’s straightforward enough for beginners yet versatile enough for more experienced users. The learning curve may require some attention to the manual, but once familiar, it’s easy to set up and start recording quickly.
In summary, the Tascam Model 12 is a fantastic investment for anyone looking to enhance their music production capabilities without breaking the bank. Its blend of analogue charm and digital functionality makes it a well-rounded choice for musicians and producers alike.
The Tascam Model 12 offers an incredible blend of analogue feel and digital versatility, making it an exceptional choice for recording. I have connected a drum kit, stage piano, and guitars, and the sound quality is nothing short of remarkable; it truly feels like a dream. The operation is straightforward and easy to learn, which makes it surprising that I didn’t discover this product sooner.
However, there are a few minor drawbacks to consider. The knobs are somewhat delicate, which necessitates careful handling to avoid damage. Additionally, without appropriate software to utilise its audio interface capabilities fully, the output can be rather underwhelming. Nevertheless, overall, this mixer stands out as a forward-thinking product that I would highly recommend!
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