Superlux HD-330 Pro 150 Ohms: test et avis

Superlux HD-330 Pro 150 Ohms Review: sound, comfort and build

Alistair Vance
Written by Alistair Vance

August 5, 2026

Field Test · Studio Gear Review

Superlux HD-330 Pro 150 Ohms

Technical assessment of the Superlux HD-330 Pro by Superlux, semi-open design

Superlux Superlux
4.4/5 29 reviews · 22 ratings
£34

Superlux HD-330 Pro 150 Ohms
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Spec Sheet

  • Circumaural
  • Semi-open
  • Dynamic
  • Driver: 40 mm
  • Neodymium magnets
  • Max sound pressure level: 93 dB
  • Impedance: 150 Ohm
  • Frequency range: 10 – 30,000 Hz
  • One-sided cable routing
  • Flat 2.5 m long cable
  • Weight: 315 g
  • Includes adapter to 6.3 mm stereo jack

Studio Log

Available sinceDecember 2022
Item number543234
Sales Unit1 piece(s)
DesignOver-Ear
SystemSemi Open
Impedance150 Ohms
Frequency range10 Hz – 30000 Hz
AdaptorYes
Replaceable CableNo
ColourBlack
Max. SPL93 dB
Type Of ConnectorJack
Weight315 g

Demo Footage

Field Photography

QC Pass — Field Test

Customer Review Summary

Introduction

The Superlux HD-330 Pro 150 Ohms headphones sit comfortably in the budget category with a price point of £34. Released in December 2022, this circumaural, semi-open, dynamic driver model has drawn interest for offering a balance between affordability and audio performance. Aimed at casual listening, monitoring, and entry-level studio work, these headphones boast a 40 mm driver with neodymium magnets, a frequency response from 10 Hz to 30,000 Hz, and an impedance of 150 Ohms.

Design and Build Quality

The HD-330 Pro adopts an over-ear, semi-open construction that aims to combine the spacious soundstage benefits of open-back models with some environmental noise reduction. The headphones weigh 315 grams, suggesting a lightweight design which contributes to comfort during extended use. The cup size fits around the ears and features plush velour pads, although some users noted that the padding shape causes minor discomfort initially, especially due to slight inward bending on specific sides.

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The build quality is solid for the price, utilising materials that are sturdy but not overly robust. While not designed for heavy-duty professional use, these headphones are expected to withstand daily casual or studio environments if handled with care. The cable is fixed, flat, 2.5 metres long, and routed from one side, with a 3.5 mm jack plug and an included 6.3 mm adapter. However, the cable’s stiffness and tendency to catch on clothing or knobs have been repeatedly highlighted as a usability downside.

Comfort and Ergonomics

Superlux’s design ensures minimal fatigue during long sessions. Several reports confirm the headphones can be worn for hours without discomfort, though the lack of height adjustment on the headband may limit custom fit for some users. Ear pads are soft but may require time to break in to fully adapt to the wearer’s ear shape. The semi-open nature allows ambient sounds to be partially heard, which can be beneficial for certain activities like music lessons or casual listening without total isolation.

Sound Quality

At the heart of the HD-330 Pro’s appeal is its sound signature, which is unusually transparent and detailed for a sub-£40 model. The headphones deliver a wide frequency range, from a low 10 Hz bass extension to clear highs up to 30 kHz. Bass response is tight and fairly precise, not inflated artificially. However, it does not match the deeper, more impactful bass of higher-end models or closed-back designs.

The midrange emphasises vocal clarity, making these headphones suitable for genres where voice presence is important, such as folk or pop. However, some users mention sharpness or sibilance around the upper mid and treble regions, especially pronouncing female vocals and crash cymbals in some tracks. An equaliser adjustment may be required to mitigate these peaks for fatigue-free listening.

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The soundstage and spatial presentation are enhanced by the semi-open design, creating a sense of air and placement despite budget constraints. When compared to more expensive headphones like the Hifiman HE400SE or Beyerdynamic DT990, the HD-330 Pro falls short in precision and bass impact but offers remarkable clarity considering its price.

Comparison with Peers

  • Beats the Fostex T20RP Mk3 in clarity and soundstage, despite a more modest bass profile.
  • Compared to Hifiman HE400SE, it offers a lighter, less bass-heavy tone but greater openness.
  • Surpasses AKG K240 in bass response and detail, according to some feedback.

Usage Scenarios

These headphones show versatility for different tasks. They perform well for drum practice where moderate sound isolation is needed alongside environmental awareness. Their clean sound makes them suitable for audio editing, rough mixing sessions, and casual gaming. Less suitable are professional mastering tasks or genres demanding robust bass and a polished sound signature due to some harshness in the treble.

Limitations and Considerations

  • 150 Ohm impedance requires a suitable amplifier for optimal volume and dynamics; weak sources might not drive them effectively.
  • Fixed cable limits flexibility, and the cable material may be prone to snagging and damage.
  • Sibilance and sharpness in the high frequencies may cause listener fatigue over time without EQ adjustments.
  • Build and comfort are good but not premium; minor ergonomic fitment issues exist initially.

Verdict

The Superlux HD-330 Pro 150 Ohms offers remarkable value with a clean, detailed sound signature that outperforms many budget competitors. While not flawless, the headphones provide comfort, a decent build, and sound quality that punches above their weight. Ideal for users who want monitoring headphones without investing in premium or professional gear, they deliver a reliable semi-open listening experience especially suited to voice-oriented music or light studio tasks. Owners should be prepared to address cable handling and minor treble sharpness. Overall, this model is a standout choice for its price bracket and reaches into sonic qualities typically found in more costly alternatives.

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Alistair Vance

Based in Bristol, Al has spent over a decade mixing local bands before specialising in hybrid studio consulting. He’s obsessed with the price-to-performance ratio, helping musicians achieve a "Radio Ready" sound without the need for a £50,000 Neve console. No fluff, just honest gear reviews to get your tracks sounding professional on a real-world budget.

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