Field Test · Studio Gear Review
Shure SRH240
Test & review: Shure
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Spec Sheet
- Closed
- Circumaural
- Dynamic
- Neodymium magnet
- Nominal impedance: 38 Ohm
- Max. input level: 500 mW
- Frequency range: 20 / 20,000 Hz
- Acoustic pressure: 107 dBV
- Two-sided cable connection
- 2 m Cable with 3.5 mm jack
- Weight with cable: 255 g
- Weight without cable: 235 g
- Incl. screw-on jack adapter
Studio Log
| Available since | September 2009 |
|---|---|
| Item number | 235832 |
| Sales Unit | 1 piece(s) |
| Design | Over-Ear |
| System | CLosed Back |
| Impedance | 38 Ohms |
| Frequency range | 20 Hz – 20000 Hz |
| Adapter | Yes |
| Replacable Cable | No |
| Marrone/Argento | Black |
| Max. SPL | 107 dB |
| Sensitivity | 107 dB |
| Type Of Connector | Mini Jack |
| Adaptor | Yes |
| Weight | 235 g |
| Colour | Black |
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QC Pass — Field Test
Customer Review Summary
[SUBTITLE]In-depth technical evaluation of the Shure SRH240 by Shure
Introduction
The Shure SRH240, introduced in 2009, is an entry-level closed-back over-ear headphone designed for studio and casual use. With a price point around £51, it targets users seeking a budget-friendly option for monitoring, practice, or portable listening.
Design and Build Quality
The SRH240 features an over-ear circumaural design intended to isolate external noise. Weighing 235 grams without the cable and 255 grams with it, the headphones remain lightweight for extended wear. The ear cups use neodymium magnets and a dynamic driver system, with a nominal impedance of 38 Ohms.
Although the glossy black plastic housing looks sleek, the materials do not suggest high durability. The fixed 2-metre cable terminating in a 3.5 mm mini-jack lacks replaceability, which may present a maintenance concern over time. A screw-on 6.3 mm jack adapter is included for wider connectivity options.
The headphones offer adjustable headbands to accommodate various head sizes, proving comfortable especially during sessions lasting several hours. However, some users find pressure build-up on the headband after prolonged use, and the cable’s length can be limiting for studio setups that demand more freedom of movement.
Sound Performance
The SRH240 delivers a frequency response spanning 20 Hz to 20,000 Hz, with a maximum sound pressure level at 107 dB. The sensitivity rating at 107 dB ensures good loudness with typical portable devices, such as iPods or audio interfaces.
In terms of tonal balance, the headphones are distinctive for their clarity in the midrange and treble frequencies. Voices and instruments in these bands present with surprising precision and detail for the price category.
- Lows: The bass response is generally regarded as weak or subdued. Deep bass frequencies lack presence and impact, which might disappoint users who prefer a richer low-end or need accurate bass monitoring for electronic drums or bass guitar.
- Mids: The headphone excels in midrange definition, delivering a clean and neutral sound character. This makes it appropriate for monitoring vocals or guitar during tracking phases.
- Highs: Treble reproduction is clear but sometimes described as ‘cool’ or slightly bright. The highs avoid harshness but can contribute to a slightly clinical sound signature rather than warm musicality.
The closed-back system does reduce ambient noise effectively but not totally, with some users reporting that external sounds still seep in during loud recording sessions. Similarly, sound leakage can be an issue when using sensitive microphones nearby, calling into question its suitability for some studio applications.
Comfort and Practical Use
Users generally praise the SRH240’s lightweight nature and soft ear cushions, which prevent ear fatigue during long use. The adjustable fit is reported comfortable across a variety of head shapes and sizes.
However, the non-detachable cable has been described as fragile. Owners advise careful handling to avoid damage, as replacement is complicated by the fixed connection. The 2-metre cable is adequate for casual use but restrictive for professional settings where distances to equipment can be greater.
The secure screw-on adapter is a welcome design element, ensuring that the 6.3 mm plug remains firmly attached without the risk of detaching accidentally.
Comparisons and Suitability
For purely home recording or tracking duties, the SRH240 provides a cost-effective solution with reasonable sonic clarity. It is less suited for mixing or mastering, where a more balanced frequency response and higher fidelity are required.
Users seeking more bass extension and improved isolation might consider upgrading to the Shure SRH840, which better handles low frequencies and offers enhanced build robustness, albeit at a higher price.
The SRH240 also performs well as a general listening headphone for portable music players, delivering a sound profile that emphasises midrange detail but is less satisfying for bass-heavy genres.
Conclusion
, the Shure SRH240 headphones deliver solid performance for their sub-£60 price, providing clear mids and highs with a lightweight, comfortable design. Their bass performance and cable durability are their acknowledged weaknesses. While not recommended for critical studio mixing or professional mastering, they serve well as a budget tracking or casual listening option.
They represent a pragmatic choice for musicians and audio enthusiasts who prioritise clarity and comfort at a low cost, with the caveat that longer-term durability and bass response are compromised to meet the entry-level price.
