Beyerdynamic DT-250/80: test et avis

Beyerdynamic DT-250/80 Review: studio headphones put to the test

Alistair Vance
Written by Alistair Vance

July 11, 2026

Field Test · Studio Gear Review

beyerdynamic DT-250/80

Test & review: beyerdynamic


beyerdynamic

beyerdynamic
4.5/5
62 reviews · 44 ratings

£210


beyerdynamic DT-250/80

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Spec Sheet

  • Closed-back
  • Circumaural
  • Dynamic
  • Neodymium magnet
  • Impedance: 80 Ohm
  • SPL: 100 dB
  • Frequency response: 10 – 30000 Hz
  • Detachable, single sided spiral cable with gold-plated 3.5 mm jack
  • Cable length: 1.35 m
  • Weight with cable: 347 g
  • Weight without cable: 244 g
  • Incl. 6.3 mm jack adapter

Studio Log

Item number 127003
Sales Unit 1 piece(s)
Design Over-Ear
System Closed Back
Impedance 80 Ohms
Frequency range 10 Hz – 30000 Hz
Adaptor Yes
Replaceable Cable Yes
Colour Black
Max. SPL 100 dB
Type Of Connector Jack, mini-jack
Weight 244 g

Demo Footage

Field Photography

QC Pass — Field Test

Customer Review Summary

[SUBTITLE]In-depth technical appraisal of beyerdynamic’s DT-250/80 headphonesIntroduction

The beyerdynamic DT-250/80 is a closed-back, over-ear headphone tailored for professional and audiophile applications. Priced around £210, it represents beyerdynamic’s offering in the mid-range studio headphone segment. With an impedance of 80 Ohms and a frequency response stretching from 10 Hz to 30 kHz, it aims to deliver detailed, neutral sound reproduction suitable for monitoring, mixing, and general listening.

Build and Design

The DT-250/80 sports a lightweight construction, weighing 244 grams without cable and approximately 347 grams with the supplied 1.35 m coiled cable. The choice of plastic in its design keeps it light but has drawn some criticism for a somewhat utilitarian and less premium aesthetic compared to models such as the DT-770. Yet, this plastic is robust and proven resilient under heavy studio and live usage conditions, with numerous reports of long-term durability even under rough handling and travel.

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The headphone’s headband is adjustable by hand to better contour the shape of the wearer’s head, which is a practical feature for customised comfort.

A significant advantage is the detachable, single-sided spiral cable fitted with a gold-plated 3.5 mm mini-jack connector, secured by a screw to prevent accidental disconnection. The inclusion of a 6.3 mm adapter extends compatibility across professional and consumer audio devices. Replacement parts, including cables and earpads, are widely available from beyerdynamic, supporting product longevity.

Comfort and Fit

Designed as circumaural closed-back headphones, the DT-250/80’s ear cups comfortably cover the ears but are relatively smaller than alternatives in beyerdynamic’s lineup. This allows a compact profile, making them less bulky and easier to carry but results in some users experiencing pressure on their outer ears during extended sessions. The velour ear pads provide softness and breathability, though on-ear contact may cause discomfort after prolonged wear, especially for users with larger ears or glasses.

Unlike the DT-770 series, which is known for its plush and spacious ear cups, the DT-250 trades off a level of comfort for portability and a lower profile. Headband padding is somewhat firmer and may create pressure points for some users after hours of use.

Sound Quality

The DT-250/80 offers a sound signature described as balanced and natural with minimal coloration. Its frequency response from 10 Hz, 30 kHz covers an expansive audible range with a slight warmth to the midrange, producing detailed and emotionally engaging vocals. This renders it particularly suited to vocal-heavy genres such as jazz or acoustic music where presence and clarity are paramount.

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The bass response is accurate but somewhat subdued below 60 Hz, which means that while it remains tight and controlled, those who prefer pronounced low-end for genres like techno or reggae may find it lacking in impact. The treble is well-extended but not overly bright, providing a listening experience that avoids fatigue over long durations.

Compared to beyerdynamic’s DT-770 Pro, the DT-250/80 has a less emphasised bass profile and a more neutral tone. Its closed-back design offers decent isolation but is generally less effective in noisy environments than the bulkier DT-770 series, particularly for drum monitoring or loud stage conditions.

Some users have noted minor channel imbalances or a somewhat “boxy” sound character due to the smaller ear cups and closed-back construction, but these issues are generally isolated and not universally experienced.

Practical Use and Durability

  • Studio and Live Sound: The DT-250/80 works well for mixing, pre-mixing, and live sound monitoring. Its neutral response allows precise equalisation and blending of tracks.
  • Portability: Smaller and lighter than many closed-back headphones, it is convenient for mobile use and fits comfortably in backpacks and flight cases.
  • Durability: Built for rigorous use with replaceable and inexpensive spare parts. Users report the cable and mechanical joints are robust, although the cable can feel heavy and get in the way during instrument play.
  • Isolation: Effective but not exceptional; better suited to controlled environments than extremely noisy venues.
  • Connector and Compatibility: 3.5 mm mini-jack with screw attachment plus 6.3 mm adapter allows for versatile usage with professional equipment and consumer devices.
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Summary

The beyerdynamic DT-250/80 is a practical, well-engineered headphone for professionals and audiophiles seeking a balanced closed-back option with excellent midrange accuracy and vocal clarity. It is especially suited to studio monitoring, mixing, and casual listening where comfort and natural sound reproduction over extended periods are important.

Its relatively lightweight design and modest size favour portability and less visual bulk, though this comes at some cost in isolation and extended-wear comfort for certain users. The replaceable cable and availability of spare parts suggest longevity beyond typical consumer models.

While it may not suit those requiring deep, powerful bass or maximum isolation, the DT-250/80 remains a compelling option in its price category for those who prioritise neutrality and precision.

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Alistair Vance

Based in Bristol, Al has spent over a decade mixing local bands before specialising in hybrid studio consulting. He’s obsessed with the price-to-performance ratio, helping musicians achieve a "Radio Ready" sound without the need for a £50,000 Neve console. No fluff, just honest gear reviews to get your tracks sounding professional on a real-world budget.

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