Field Test · Studio Gear Review
beyerdynamic DT-250/250
Beyerdynamic’s DT-250/250 offers neutral sound with robust build and comfort
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Spec Sheet
- Closed-back
- Circumaural
- Dynamic
- Neodymium magnet
- Impedance: 250 Ohm
- SPL: 100dB
- Frequency response: 10 – 30000 Hz
- Detachable, single sided spiral cable with gold-plated 3.5 mm jack
- Cable length: 1.35 m
- Weight with cable: 344 g
- Weight without cable: 242 g
- Incl. 6.3 mm jack adapter
Studio Log
| Available since | April 2005 |
|---|---|
| Item number | 180486 |
| Sales Unit | 1 piece(s) |
| Design | Over-Ear |
| System | Closed Back |
| Impedance | 250 Ohms |
| Frequency range | 10 Hz – 30000 Hz |
| Adaptor | Yes |
| Replaceable Cable | Yes |
| Colour | Black |
| Max. SPL | 100 dB |
| Type Of Connector | Jack, mini-jack |
| Weight | 242 g |
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Customer Review Summary
[META]The beyerdynamic DT-250/250 delivers a neutral, balanced sound with strong build quality and good isolation, ideal for studio and live use.Introduction to beyerdynamic DT-250/250
Released in April 2005, the beyerdynamic DT-250/250 is a closed-back, over-ear headphone designed for professional studio and live monitoring. Its notable features include a 250 Ohm impedance, wide frequency response from 10 Hz to 30,000 Hz, and a maximum sound pressure level of 100 dB. At a price of £210, the DT-250/250 has served musicians, producers and audio engineers for nearly two decades.
Build and Design
The DT-250/250 is constructed with durability in mind. Users report a robust design with only minor aesthetic wear after years of heavy use. Weighing 242 grams without cable, it remains comfortably lightweight for extended wear sessions. The circumaural earcups fully enclose the ears and feature replaceable, washable pads that add to long-term comfort and hygiene.
The cable supplied is a detachable, single-sided spiral cable measuring 1.35 metres, terminated with a gold-plated 3.5 mm jack and includes a 6.3 mm screw-on adapter. While appreciated for durability, some users prefer a straight cable variant due to personal preference. The black colour scheme is understated and professional, suited for studio or stage environments.
Sound Quality
The DT-250/250 is praised for its neutral and balanced sound profile. It avoids exaggerated bass or treble peaks and offers clear mids, ensuring detailed and accurate monitoring. This makes it well suited for mixing tasks where faithful reproduction is critical. The neodymium dynamic drivers contribute to a sound that is both dynamic and transparent.
- Frequency response: covers from deep bass at 10 Hz up to fine details at 30,000 Hz
- Impedance: at 250 Ohms, it requires a capable headphone amplifier to achieve optimal volume and dynamic range
- Maximum SPL: 100 dB allows sufficient loudness without distortion
Compared to similar models within the closed-back category such as the DT 770, the DT-250/250 is often found to have a more neutral midrange and avoids common flaws found in many closed headphones, like uneven frequency dips or compression. However, bass response is accurate but somewhat subdued, which some casual listeners may find less exciting.
Comfort and Practicality
Comfort is generally rated as good due to the lightweight build and soft ear pads. The circumaural design means the ears fit fully inside the cups, reducing fatigue during long sessions. That said, a few users have noted the headband can feel tight after 20 to 30 minutes, especially for those wearing glasses, which may cause some discomfort over very lengthy periods.
Noise isolation is effective thanks to the closed-back design, making the DT-250/250 suitable for tracking vocals and live use where sound leakage is a concern. The headphones block ambient noise adequately but are not completely soundproof.
Connectivity and Compatibility
The headphone’s 250 Ohm impedance necessitates connection to dedicated headphone amplifiers or audio interfaces capable of providing sufficient power. Use with smartphones or portable MP3 players yields low volume levels and reduced dynamic performance, limiting casual usability without amplification.
The included screw-on 6.3 mm adapter provides compatibility with professional audio gear. However, some find the screw mechanism inconvenient compared to push-on adapters. The detachable cable allows convenient replacement and potential upgrades, although aftermarket cables can be costly.
Overall Impression
The beyerdynamic DT-250/250 solidly fulfils the role of a closed-back headphone aiming for studio-grade neutral sound and durability. It is a well-made headphone that holds up after years of use and supports critical listening tasks like mixing and vocal recording.
Its neutrality, accuracy in the midrange, and broad frequency response surpass many contemporaries in this price bracket. While the necessity of an amplifier and slight comfort caveats may deter casual listeners, professionals will appreciate its faithful sound reproduction and reliable construction.
Conclusion
For those seeking a closed-back headphone with long-term build quality, neutral tonal balance, and solid isolation, the beyerdynamic DT-250/250 remains a compelling choice. The higher impedance ensures rewarding results when paired with a proper amplifier, delivering a clear and detailed listening experience essential for studio work. Despite minor drawbacks, the DT-250/250 stands as a durable, practical option at a reasonable price point for audio professionals.
