Audix D4 Review: A closer look at the components

Alistair Vance
Written by Alistair Vance

May 15, 2026

Audix D4

Audix D4 Review: A closer look at the components

Studio microphone functions of Audix

  • For floor toms and bass drums
  • Professional dynamic microphone
  • Hypercardioid polar pattern
  • Frequency range: 38 – 19,000 Hz
  • Impedance: 200 Ohm
  • Maximum SPL: 144 dB
  • Also suitable for electric bass guitars

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Audix D4 Review: A closer look at the components

Audix D4 Review: A closer look at the components

Audix D4 Review: A closer look at the components

Audix D4 Review: A closer look at the components

Audix D4 Review: A closer look at the components

Audix D4 Review: A closer look at the components

Additional Information

Customer Review Summary

The Audix D4 is an exceptional dynamic microphone, particularly well-suited for miking floor toms and other percussion instruments. I have been using it on my 16″ floor tom, and the sound it delivers is full, rich, and deep, making it a standout choice for both live performances and studio recordings.

Its build quality is solid, and despite its larger size, it feels incredibly robust and durable, ensuring it will last for years. The compact design is practical, allowing for easy positioning without obstructing other elements on stage.

What I appreciate most is its versatility; it excels not only on toms but also performs admirably on bass amps, guitars, and even various percussion instruments like cajons and saxophones. The sound it produces is clean and balanced, capturing low frequencies beautifully without compromising the clarity of the higher ranges.

While it does require a bit of EQ adjustment depending on the application, the D4 consistently delivers a modern and natural sound that feels honest and transparent. Many users have noted its impressive low-end response and punchy attack, making it a favourite among drummers and sound engineers alike.

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Overall, the Audix D4 is a top-notch microphone for anyone looking to enhance their sound, especially for powerful instruments. I highly recommend it for its quality, durability, and the excellent sonic results it provides.



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Alistair Vance

Based in Bristol, Al has spent over a decade mixing local bands before specialising in hybrid studio consulting. He’s obsessed with the price-to-performance ratio, helping musicians achieve a "Radio Ready" sound without the need for a £50,000 Neve console. No fluff, just honest gear reviews to get your tracks sounding professional on a real-world budget.

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