Neumann U89 I mt
Neumann microphone specifications
- Polar pattern: Switchable between omnidirectional, cardioid, figure-8
- Switchable 10 db attenuation
- Universally applicable: Vocals, speakers, overheads, wind instruments
- Transmission range 20 Hz … 20 kHz
- Field transfer factor at 1 kHz at 1 kOhm 8 mV / Pa
- Nominal impedance: 150 Ohm
- Nominal load impedance: 1000 Ohm
- Replacement noise level (CCIR 468-3): 28 dB
- Spare noise level (DIN / IEC 651): 17 dB-A
- Noise level difference (CCIR 468-3): 66 dB
- Noise level difference (DIN / IEC 651): 77 dB
- Boundary sound pressure level for K <0.5%: 134 dB
- Boundary sound pressure level for K <0.5% with pre-attenuation: 140 dB
- Maximum output voltage: 800 mV
- Dynamic range of the amplifier (DIN / IEC 651): 117 dB
- Supply voltage: 48 V ± 4 V
- Current consumption: 0.8 mA
- Weight: 400 g
- Diameter: 46 mm / Length: 185 mm
- Colour: Matte black
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Additional Information
Customer Review Summary
Review of the Neumann U89 I mt Microphone
The Neumann U89 I mt is a remarkable studio microphone that truly shines when it comes to versatility and sound quality. This microphone requires a bit of knowledge and experimentation for optimal use, but the results it delivers are well worth the effort.
This high-end microphone operates solely on phantom power and boasts five precisely set polar patterns, a 6dB pad, and a two-step proximity effect roll-off. The sonic resolution is superb, providing warmth, clarity, sensitivity, and an impressive range of frequencies and dynamics. Its longevity and ease of maintenance are enhanced by the robust K89 capsule, which is less susceptible to dust particles compared to most condenser microphones.
In various recording situations, the U89 I mt performs exceptionally well. It captures a wide array of sound sources with great detail and separation, from instruments to vocals. Classical guitar and trumpet recordings come to life, while complex sources like grand pianos and orchestras are rendered in a three-dimensional manner. Even large sources, such as pipe organs, are recorded cleanly, making this microphone a reliable choice for both close and distant sound capture.
Despite its underrated status in popular music, where it may not provide the hype of other models like the U87Ai, the U89 I mt offers an engaging and honest midrange sound that is particularly appealing. It captures audio with high quality and accuracy, taking post-processing exceptionally well, which justifies its price tag. Some may suggest it encourages sloppy recording techniques, but my extensive experience with this microphone in various studio settings proves otherwise. It has become a staple in my mobile and home studios, serving as a dependable “workhorse” or a “desert island” microphone.
In conclusion, investing in the Neumann U89 I mt is a decision that reflects a commitment to high-quality audio capture. It is a microphone that truly delivers on its promise, making it an invaluable tool for any serious audio professional.
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