AKG D 112 MKII
Studio microphone functions of AKG
- Suitable for bass drums, electric bass, tubas
- Successor to the D112 but with improved mechanics
- Polar pattern: Cardioid
- Frequency range: 20 – 17,000 Hz
- Impedance: 210 Ohm
- Weight: 320g
- Dimensions: 150 x 70 x 115 mm
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Additional Information
Customer Review Summary
The AKG D 112 MKII is an exceptional dynamic microphone, especially renowned for its outstanding performance with kick drums and bass instruments. Its sound profile is clear, punchy, and well-balanced, making it a favourite among drummers and sound engineers alike. The presence boost around 2-5 kHz adds clarity, while the low-frequency response below 100 Hz delivers a robust and full-bodied sound.
One of the key advantages of the D 112 MKII is its ability to handle high sound pressure levels, which allows it to perform excellently even in demanding environments. Users appreciate its sturdy build quality, indicating that it can withstand the rigours of live performances. Many have noted that it requires minimal equalisation, providing a natural sound right out of the box, which is crucial for both studio and live settings.
While the microphone excels in capturing the essence of kick drums, it also performs admirably with bass guitars and other low-frequency sources. Some users have praised its versatility, mentioning that it can adapt well to various musical genres, especially rock and metal. The AKG D 112 MKII is often described as a classic, and many consider it a must-have for any serious musician or sound engineer.
However, there are a couple of minor drawbacks. The positioning of the XLR connector can be somewhat inconvenient, especially when mounting it in tight spaces. Additionally, some users have found the front clip design a bit limiting when placing it inside a kick drum port. Despite these minor issues, the overall consensus is that the AKG D 112 MKII delivers exceptional sound quality for its price, making it a highly recommended choice for anyone looking to enhance their audio setup.
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