Sennheiser HD 569 : test et avis

Sennheiser HD 569 Review: our impressions after listening

Alistair Vance
Written by Alistair Vance

June 13, 2026

Field Test · Studio Gear Review

Sennheiser HD 569

Technical insights into the Sennheiser HD 569 over-ear closed-back design

Sennheiser Sennheiser
4.3/5 27 reviews · 25 ratings
£96

Sennheiser HD 569
  • Over-Ear Headphones
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Spec Sheet

  • Circumaural
  • Closed
  • Cable attached on one side
  • Max. SPL: 115 dB SPL @ 1 kHz, 1 V RMS
  • Impedance: 23 Ohm
  • Frequency range: 10 – 28000 Hz
  • Total harmonic distortion at 1 kHz < 0.2%
  • 3 m Cable with 6.3 mm jack
  • 1.2 m cable with 1-button remote control and straight 3.5 mm jack plug

Studio Log

Available sinceFebruary 2019
Item number458311
Sales Unit1 piece(s)
DesignOver-Ear
SystemCLosed Back
Impedance23 Ohms
Frequency range10 Hz – 28000 Hz
AdapterYes
Replacable CableYes
Marrone/ArgentoBlack
Sensitivity115 dB
Type Of ConnectorJack
Weight300 g

Demo Footage

Field Photography

QC Pass — Field Test

Customer Review Summary

Overview of the Sennheiser HD 569

The Sennheiser HD 569 is an over-ear, closed-back headphone introduced in early 2019. Priced around £96, it targets listeners who seek a blend of comfort and sound quality suitable for casual and semi-professional use. Notable for its 23 Ohms impedance and frequency response spanning 10 Hz to 28 kHz, the HD 569 aims to deliver clear, spatial audio with sufficient bass emphasis without being overpowering.

Design and Build Quality

Weighing 300 grams, the HD 569 uses large circumaural earcups designed to encircle the ears comfortably, an important factor for prolonged listening sessions. Its closed-back system effectively isolates external noise, helping listeners remain immersed in their audio source. The headphones feature a single-sided cable attachment, with two cables included: a 3-metre cable ending in a 6.3mm jack, ideal for studio or home setups, and a shorter 1.2-metre cable with a straight 3.5mm jack and a one-button remote control for use with mobile devices.

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Material quality is satisfactory overall, although some users mention that the headband construction could be more robust. The removable cables also add an element of practicality and ease of replacement.

Comfort and Fit

Comfort is generally reported as good. The earcups are large enough to prevent most “over-ear” models from turning into “on-ear” fit issues, even for larger ears. The clamping force is moderate, providing a secure fit without excessive pressure. However, some users with bigger heads or who wear glasses have noted discomfort during extended wear. The headphone cushions are not removable, which could complicate cleaning and long-term maintenance.

Sound Signature and Performance

The HD 569 delivers a sound profile characterised by a spacious and natural presentation. It tends to emphasise lower frequencies just enough to provide a solid, controlled bass response without reaching boomy or overwhelming levels. Users have drawn parallels between its spatial qualities and technologies like Ultrasone’s sLogic, suggesting an effective technique to enhance perceived soundstage breadth within the closed-back format.

High frequencies are handled with a smooth, non-aggressive approach, although some listeners mention a slight recession in the upper mids and highs that could benefit from subtle equalisation to add clarity. Midrange clarity is clean and neutral, making vocals and instruments feel detailed but not overly forward.

Compared to some competitors, such as the AKG K371, the HD 569 presents a more immersive soundstage but lacks the sharper precision and finer detail in resolution. This makes the HD 569 particularly well-suited for relaxed listening and casual enjoyment rather than critical monitoring or mixing.

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Usability and Versatility

The HD 569 operates well across a variety of devices thanks to its low impedance and decent sensitivity (115 dB SPL). It can be driven efficiently from smartphones, tablets, and DAC/amp combinations without requiring additional amplification. The inclusion of two cables caters to both mobile and studio applications, though some users have criticised the absence of a 3.5mm jack with a screw-on 6.3mm adapter for the longer cable, limiting flexibility.

Noise isolation is effective for a closed-back design, making the headphones viable in office or modestly noisy environments. However, users attentive to long-term wear have noted the potential for warmth build-up and slight pressure after hours of continuous use.

Common Criticisms

  • Some users find the sound somewhat flat or lacking impact, especially those accustomed to bass-heavy or more dynamic headphones.
  • The short mobile cable’s remote control has shown reliability issues in certain reports, including connectivity problems and mechanical fragility.
  • Fit can be uncomfortable for listeners with larger heads or those wearing glasses, with reports of pressure on ears increasing over time.
  • Build quality concerns have arisen around the headband’s durability and the fixed ear cushions complicating hygiene.

Conclusion

The Sennheiser HD 569 offers a well-balanced, spacious sound signature that suits listeners prioritising comfort and immersive casual listening over pinpoint analytical detail. Its closed-back design provides effective noise isolation, making it suitable for home, office, or portable use within its price segment. While some build and ergonomic issues may affect long-term enjoyment, the overall package reflects Sennheiser’s reputation for dependable sound quality.

For buyers seeking clear, punchy bass without excessive emphasis and a natural midrange, the HD 569 is a compelling choice near the £100 mark. However, audiophiles demanding utmost precision or those needing extended wearing comfort might consider more specialised alternatives.

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Read more…

Alistair Vance

Based in Bristol, Al has spent over a decade mixing local bands before specialising in hybrid studio consulting. He’s obsessed with the price-to-performance ratio, helping musicians achieve a "Radio Ready" sound without the need for a £50,000 Neve console. No fluff, just honest gear reviews to get your tracks sounding professional on a real-world budget.

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