Audeze LCD-2 Classic Open System : test et avis

Audeze LCD-2 Classic Open System: our verdict after the listen

Alistair Vance
Written by Alistair Vance

June 25, 2026

Field Test · Studio Gear Review

Audeze LCD-2 Classic Open System

In-depth technical assessment of Audeze’s LCD-2 Classic headphones

Audeze Audeze
4.6/5 28 reviews · 23 ratings
£711

Audeze LCD-2 Classic Open System
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Spec Sheet

  • Open design
  • Circumaural
  • Driver: 106 mm
  • Neodymium magnets (N50)
  • Impedance: 70 Ohm
  • Frequency range: 10 – 50,000 Hz
  • Sensitivity: 101 dB / 1 mw
  • Leather-free headband with spring steel suspension
  • Artificial leather ear pads
  • Includes standard travel case, balanced 1.9 m 4-pin XLR cable, adapter 4-pin XLR to 6.3 mm stereo jack (unbalanced) and adapter 6.3 mm stereo jack to 3.5 mm stereo mini jack

Studio Log

Available sinceFebruary 2018
Item number433063
Sales Unit1 piece(s)
DesignOver-Ear
SystemOpen
Impedance70 Ohms
Frequency range10 Hz – 50000 Hz
Marrone/ArgentoBlack
Max. SPL101 dB
Sensitivity101 dB
Type Of ConnectorJack
ColourBlack

Demo Footage

Field Photography

QC Pass — Field Test

Customer Review Summary

Introduction

The Audeze LCD-2 Classic Open System, launched in February 2018, offers an over-ear, open-back design paired with planar magnetic technology. With 106 mm drivers and neodymium magnets, these headphones aim to deliver detailed sound reproduction across a frequency range from 10 Hz to 50,000 Hz. Priced at £711, they sit in the high-end segment, targeting audiophiles seeking rich audio fidelity and robust build quality.

Design and Build Quality

The LCD-2 Classic’s construction stands out for its solid build, predominantly metal components, and an absence of cheap plastics common in many headphones. The circumaural ear cups are finished in black with artificial leather pads, supported by a leather-free headband featuring spring steel suspension. This design distributes weight well, despite the substantial overall load of the headphone, which is notably heavier than many rivals.

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Included accessories comprise a sturdy travel case, a balanced 1.9-metre 4-pin XLR cable, and adapters to connect to standard 6.3 mm and 3.5 mm jacks. Users consistently praise the sturdiness and premium feel, contrasting sharply with lighter but less robust models such as the AKG K712 Pro.

Sound Performance

The LCD-2 Classic delivers a sound signature that leans toward a warm yet detailed representation. Bass response extends deeply and remains controlled without excessive bloom or droning. While not the most thunderous bass among planar magnetic headphones, it is precise and maintains good texture and dryness. Midrange frequencies receive slight emphasis, contributing to a natural and pleasant tonality, though some describe lower midrange textures as subtly blurred.

High frequencies are noticeably recessed compared with other high-end headphones, providing a smooth but darker treble profile. This results in less fatigue over extended listening sessions but might render vocals, especially female voices, somewhat distant. The overall tonal balance is forgiving to lower-quality recordings yet capable of revealing nuances in high-resolution audio formats like FLAC.

Instrument separation is exceptional, with each instrument maintaining clarity within a moderately sized soundstage. The headphones portray dynamics convincingly, producing an engaging and lively listening experience. However, the soundstage does not expand to the breadth found in certain contemporaries, though it remains adequately spacious for most listening environments.

Compatibility and Driving Requirements

Featuring a 70 Ohm impedance and a sensitivity of 101 dB, these headphones are reasonably straightforward to drive and function well with mid-tier amplifiers, such as the Schiit Magni 2 Über used in many tests. They respond favourably to equalisation, allowing users to tailor the sound to personal taste or remedy the treble mellowing.

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Comfort and Practicality

The memory foam ear pads and articulating headband provide a comfortable fit, with good weight distribution across the head. Nevertheless, the headphones are heavy compared to many peers, leading to discomfort after prolonged use for some users. Replacement of the headband padding or customisation can alleviate these issues but involve additional effort.

The open-back design offers minimal isolation, unsuitable for noisy environments but beneficial for a natural sound experience and long-term comfort without heat accumulation despite the somewhat enclosed ear cup structure.

Additional Observations

  • Build quality is consistently highlighted as a major positive, with a solid industrial feel attenuating worries about durability.
  • Sound drawbacks mainly centre on the recessed treble causing a darker sound signature and a weighty form factor impacting long listening sessions.
  • Included cabling and accessories support balanced and unbalanced connections, enhancing versatility but the cable length may feel limited for some setups.
  • Price to performance ratio is justified by sound clarity and build, though the premium level demands careful consideration by those sensitive to headphone weight or seeking more neutral tonality out of the box.

Conclusion

The Audeze LCD-2 Classic Open System is a robustly built, sonically capable headphone with a distinctive warm and slightly dark sound signature. It excels in bass control, midrange quality, and instrument separation, making it suitable for audiophiles who prioritise detailed and engaging listening over strictly neutral reproduction. Its weight and treble recession may deter some, but for those willing to engage in EQ adjustments and who prefer a forgiving sound, it represents excellent value in its market segment.

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This model’s durability and premium design underscore Audeze’s engineering commitment, while its sound characteristics reward discerning listeners with rich, immersive music playback. Considering its driving ease and included accessories, the LCD-2 Classic remains a serious contender for anyone seeking a planar magnetic headphone under £1000.

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Alistair Vance

Based in Bristol, Al has spent over a decade mixing local bands before specialising in hybrid studio consulting. He’s obsessed with the price-to-performance ratio, helping musicians achieve a "Radio Ready" sound without the need for a £50,000 Neve console. No fluff, just honest gear reviews to get your tracks sounding professional on a real-world budget.

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